Shambhavi Kaul sets up dialectical dread in Death Valley in a series of uncanny shots of geological formations, eroded mountains, dunes and dried lava contrasted against images of shimmering night skies.
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Lending the programme its title, Shambhavi Kaul's Night Noon sets up dialectical dread in Death Valley with a series of uncanny shots of eroded, geological formations and dunes that seemingly fold into night skies and shimmering waters. Beginning in Zabriskie Point, the film surreptitiously crosses over into Mexico, its creative geography never far from our cinematic memory.
ANDRÉA PICARD
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